Vol. 71 No. 1 (2025): La música y su influencia en el desarrollo y enriquecimiento humano.
Articles

La voz del gagá: Un análisis de sus recursos vocales

Sarina Alonzo Ortiz
Licenciada en la carrera de Música Contemporánea, Universidad Nacional Pedro Henríquez Ureña.

Published 2025-01-01 — Updated on 2025-01-01

Keywords

  • Gagá,
  • religious expression,
  • tradition,
  • vocal techniques,
  • singing

How to Cite

Alonzo Ortiz, S. (2025). La voz del gagá: Un análisis de sus recursos vocales. AULA Revista De Humanidades Y Ciencias Sociales, 71(1). https://doi.org/10.33413/aulahcs.2025.71i1.395

Abstract

Gagá constitutes a complex system of socio-religious relationships in the Dominican Republic, where percussion, dance, singing, beliefs, and rituals converge as a direct result of the cultural exchange between Haitian and Dominican communities. This article seeks to emphasize the distinct vocal techniques present in Dominican Gagá. The study was conducted through interpretative and technical analysis of traditional Gagá songs, along with a comparative examination of how these vocal resources were adapted in the composition "Oxumaré," a Gagá piece written by the artist and composer Xiomara Fortuna.

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